Amp Model DSP Allocations-2.50
| model | based on | category | amp adjusted | amp+cab adjusted | |
|---|---|---|---|---|---|
| 1 | whowatt 100 | Hiwatt® DR-103 Brill | amp-guitar | 35.16% | 44.78% |
| 2 | soup pro | Supro® S6616 | amp-guitar | 19.56% | 30.00% |
| 3 | stone age 185 | Gibson® EH-185 | amp-guitar | 33.80% | 43.47% |
| 3.5 | voltage queen | Victoria® Electro King | amp-guitar | 35.00% | 44.56% |
| 4 | tweed blues nrm | Fender® Bassman® (normal channel) | amp-guitar | 31.14% | 40.63% |
| 5 | tweed blues brt | Fender® Bassman® (bright channel) | amp-guitar | 30.98% | 40.59% |
| 6 | us small tweed | Fender® Champ® | amp-guitar | 16.14% | 25.72% |
| 7 | us deluxe nrm | Fender® Deluxe Reverb® (normal channel) | amp-guitar | 29.78% | 39.22% |
| 8 | us deluxe vib | Fender® Deluxe Reverb® (vibrato channel) | amp-guitar | 33.80% | 43.32% |
| 9 | us double nrm | Fender® Twin Reverb® (normal channel) | amp-guitar | 30.98% | 40.59% |
| 10 | us double vib | Fender® Twin Reverb® (vibrato channel) | amp-guitar | 33.35% | 43.00% |
| 11 | mail order twin | Silvertone® 1484 | amp-guitar | 33.39% | 43.00% |
| 12 | divided duo | ÷13 JRT 9/15 | amp-guitar | 28.80% | 38.35% |
| 13 | interstate zed | Dr Z® Route 66 | amp-guitar | 28.32% | 37.79% |
| 13.5 | derailed ingrid | Trainwreck Circuits® Express | amp-guitar | 33.80% | 43.32% |
| 14 | jazz rivet 120 | Roland® JC-120 Jazz Chorus | amp-guitar | 17.34% | 26.82% |
| 15 | essex a15 | Vox® AC-15 | amp-guitar | 27.35% | 36.94% |
| 16 | essex a30 | Vox® AC-30 with top boost | amp-guitar | 30.32% | 40.00% |
| 17 | a30 fawn nrm | Vox® AC-30 Fawn (normal channel) | amp-guitar | 25.72% | 35.39% |
| 18 | a30 fawn brt | Vox® AC-30 Fawn (bright channel) | amp-guitar | 25.88% | 35.59% |
| 19 | matchstick ch1 | Matchless® DC30 (channel 1) | amp-guitar | 28.80% | 38.32% |
| 20 | matchstick ch2 | Matchless® DC30 (channel 2) | amp-guitar | 27.76% | 37.34% |
| 21 | matchstick jump | Matchless® DC30 (jumped) | amp-guitar | 35.88% | 45.59% |
| 22 | mandarin 80 | Orange® OR80 | amp-guitar | 35.00% | 44.56% |
| 23 | brit j45 nrm | Marshall® JTM-45 (normal channel) | amp-guitar | 32.42% | 42.00% |
| 24 | brit j45 brt | Marshall® JTM-45 (bright channel) | amp-guitar | 32.38% | 42.00% |
| 24.4 | brit trem nrm | Marshall® Plexi Tremolo 50 (normal channel) | amp-guitar | 35.39% | 45.00% |
| 24.5 | brit trem brt | Marshall® Plexi Tremolo 50 (bright channel) | amp-guitar | 35.39% | 45.00% |
| 24.6 | brit trem jump | Marshall® Plexi Tremolo 50 (jumped) | amp-guitar | 39.22% | 48.81% |
| 25 | brit plexi nrm | Marshall® Super Lead 100 (normal channel) | amp-guitar | 36.14% | 45.72% |
| 26 | brit plexi brt | Marshall® Super Lead 100 (bright channel) | amp-guitar | 36.82% | 46.43% |
| 27 | brit plexi jump | Marshall® Super Lead 100 (jumped) | amp-guitar | 41.23% | 51.16% |
| 28 | brit p75 nrm | Park® 75 (normal channel) | amp-guitar | 32.76% | 42.13% |
| 29 | brit p75 brt | Park® 75 (bright channel) | amp-guitar | 32.76% | 42.13% |
| 30 | brit 2204 | Marshall® JCM-800 | amp-guitar | 35.59% | 45.03% |
| 30.3 | placater dirty | Friedman BE-100 (BE/HBE channel) | amp-guitar | 37.35% | 46.94% |
| 30.5 | cartographer | Ben Adrian Cartographer | amp-guitar | 34.05% | 43.80% |
| 31 | german madheva | Bogner® Shiva | amp-guitar | 37.76% | 47.34% |
| 32 | german ubersonic | Bogner® Überschall® | amp-guitar | 35.00% | 44.78% |
| 32.5 | cali texax ch 2 | MESA/Boogie® Lonestar (channel 2) | amp-guitar | 37.35% | 46.94% |
| 33 | cali iv rhythm 1 | MESA/Boogie® Mark IV (channel I) | amp-guitar | 34.78% | 44.34% |
| 34 | cali iv rhythm 2 | MESA/Boogie® Mark IV (channel II) | amp-guitar | 34.78% | 44.34% |
| 35 | cali iv lead | MESA/Boogie® Mark IV (lead channel) | amp-guitar | 36.82% | 46.31% |
| 36 | cali rectifire | MESA/Boogie® Dual Recti er® | amp-guitar | 35.63% | 45.26% |
| 37 | archetype clean | Paul Reed Smith® Archon® (clean channel) | amp-guitar | 30.72% | 40.37% |
| 38 | archetype lead | Paul Reed Smith® Archon® (lead channel) | amp-guitar | 34.05% | 43.80% |
| 39 | angl meteor | ENGL® Fireball 100 | amp-guitar | 33.35% | 43.00% |
| 40 | solo lead clean | Soldano SLO-100 (clean channel) | amp-guitar | 33.88% | 43.47% |
| 41 | solo lead crunch | Soldano SLO-100 (crunch channel) | amp-guitar | 33.88% | 43.47% |
| 42 | solo lead od | Soldano SLO-100 (overdrive channel) | amp-guitar | 38.10% | 47.76% |
| 43 | pv panama | Peavey® 5150® | amp-guitar | 34.78% | 44.22% |
| 44 | line 6 elektrik | Line 6 Original | amp-guitar | 24.05% | 33.57% |
| 45 | line 6 doom | Line 6 Original | amp-guitar | 30.59% | 40.16% |
| 46 | line 6 epic | Line 6 Original | amp-guitar | 28.00% | 37.76% |
| 47 | line 6 2204 mod | Line 6 Original | amp-guitar | 27.76% | 37.34% |
| 48 | line 6 fatality | Line 6 Original | amp-guitar | 29.16% | 38.80% |
| 49 | line 6 litigator | Line 6 Original | amp-guitar | 22.76% | 32.34% |
| 50 | line 6 badonk | Line 6 Original | amp-guitar | 21.82% | 31.29% |
| 101 | tuck n' go | Ampeg® B-15NF Porta ex® | amp-bass | 28.32% | 38.00% |
| 102 | sv beast nrm | Ampeg® SVT® (normal channel) | amp-bass | 35.59% | 45.16% |
| 103 | sv beast brt | Ampeg® SVT® (bright channel) | amp-bass | 35.59% | 45.16% |
| 104 | woody blue | Acoustic® 360 bass amp | amp-bass | 14.78% | 24.34% |
| 104.5 | agua 51 | Aguilar® DB751 | amp-bass | 25.39% | 35.00% |
| 105 | cali bass | MESA/Boogie® M9 Carbine | amp-bass | 15.32% | 25.00% |
| 106 | cali 400 ch1 | MESA/Boogie® Bass 400+ (channel 1) | amp-bass | 27.76% | 37.34% |
| 107 | cali 400 ch2 | MESA/Boogie® Bass 400+ (channel 2) | amp-bass | 27.76% | 37.34% |
| 108 | g cougar 800 | Gallien-Krueger® GK 800RB | amp-bass | 20.39% | 30.00% |
| 109 | del sol 300 | Sunn® Coliseum 300 | amp-bass | 10.39% | 20.00% |
| 110 | busy one ch1 | Pearce BC-1 (channel 1) | amp-bass | 10.72% | 20.26% |
| 111 | busy one ch2 | Pearce BC-1 (channel 2) | amp-bass | 10.72% | 20.26% |
| 112 | busy one jump | Pearce BC-1 (jumped) | amp-bass | 18.80% | 28.32% |
| 200 | studio tube pre | preamp only | amp-mic | 11.23% | 21.01% |
Other Blocks DSP Allocations-2.50
| model | based on | category | type | mono cost | stereo cost |
|---|---|---|---|---|---|
| ping pong | Line 6 Original | delay | L-s | 2.54% | 4.38% |
| ping pong | Line 6 Original | delay | hx | 2.64% | 4.56% |
| dynamic | TC Electronic® 2290 | delay | L-s | 3.01% | 5.19% |
| digital | Line 6 Original | delay | L-s | 3.48% | 6.01% |
| stereo | Line 6 Original | delay | L-s | 3.48% | 6.01% |
| lo res | Line 6 Original 8-bit delay | delay | L-s | 3.55% | 6.13% |
| dig w/mod | Line 6 Original | delay | L-s | 3.64% | 6.29% |
| ducked delay | TC Electronic® 2290 | delay | hx | 3.81% | 5.90% |
| mod/chorus echo | Line 6 Original | delay | hx | 4.43% | 8.40% |
| simple delay | Line 6 Original | delay | hx | 4.43% | 6.00% |
| auto-volume echo | Line 6 Original | delay | L-s | 4.48% | 7.74% |
| analog echo | BOSS® DM-2 | delay | L-s | 5.10% | 8.81% |
| analog w/mod | Electro-Harmonix® Deluxe Memory Man | delay | L-s | 5.22% | 9.01% |
| reverse delay | Line 6 Original | delay | hx | 5.25% | 9.38% |
| vintage digital | Line 6 Original | delay | hx | 5.25% | 9.55% |
| vintage swell | Line 6 Original | delay | hx | 5.32% | 9.78% |
| reverse | Line 6 Original | delay | L-m | 5.35% | 9.23% |
| dual delay | Line 6 Original | delay | hx | 5.42% | 9.36% |
| sweep echo | Line 6 Original | delay | hx | 6.37% | 12.14% |
| multi pass | Line 6 Original | delay | hx | 7.35% | 8.68% |
| bucket brigade | BOSS® DM-2 | delay | hx | 7.55% | 13.98% |
| multi-head | Roland® RE-101 Space Echo | delay | L-s | 7.74% | 13.38% |
| elephant man | Electro-Harmonix® Deluxe Memory Man | delay | hx | 8.04% | 14.14% |
| transistor tape | Maestro® Echoplex EP-3 | delay | hx | 8.25% | 15.61% |
| sweep echo | Maestro® Echoplex EP-1 w/ L6 Mod | delay | L-s | 8.49% | 14.67% |
| tape echo | Maestro® Echoplex EP-3 | delay | L-s | 8.49% | 14.67% |
| tube echo | Maestro® Echoplex EP-1 | delay | L-s | 8.49% | 14.67% |
| adriatic swell | Line 6 Original | delay | hx | 8.57% | 15.00% |
| pitch echo | Line 6 Original | delay | hx | 8.67% | 16.99% |
| adriatic delay | BOSS® DM-2 w/ Adrian Mod | delay | hx | 8.75% | 15.00% |
| multitap 4 | Line 6 Original | delay | hx | 8.87% | 15.33% |
| echo platter | Binson EchoRec | delay | L-s | 8.88% | 15.33% |
| harmony delay | Line 6 Original | delay | hx | 10.42% | 18.00% |
| multitap 6 | Line 6 Original | delay | hx | 11.42% | 19.73% |
| cosmos echo | Roland® RE-201 Space Echo | delay | hx | 14.16% | 25.67% |
| megaphone | Megaphone | distortion | hx | 4.49% | 6.88% |
| hedgehog d9 | MAXON® SD9 Sonic Distortion | distortion | hx | 5.74% | 10.43% |
| compulsive drive | Fulltone® OCD | distortion | hx | 5.91% | 10.78% |
| vermin dist | Pro Co RAT | distortion | hx | 6.01% | 10.84% |
| top secret od | DOD® OD-250 | distortion | hx | 6.13% | 11.06% |
| arbitrator fuzz | Arbiter® FuzzFace® | distortion | hx | 6.37% | 11.73% |
| bitcrusher | Line 6 Original | distortion | hx | 6.75% | 12.22% |
| tycoctavia fuzz | Tycobrahe® Octavia | distortion | hx | 6.82% | 15.07% |
| kinky boost | Xotic® EP Booster | distortion | hx | 6.82% | 12.15% |
| scream 808 | Ibanez® TS808 Tube Screamer® | distortion | hx | 7.38% | 13.33% |
| teemah! | Paul Cochrane Timmy® Overdrive | distortion | hx | 7.42% | 13.63% |
| stupor od | BOSS® SD-1 Overdrive | distortion | hx | 7.72% | 14.50% |
| buzz saw | Maestro® Fuzz Tone | distortion | L-m | 8.01% | 13.83% |
| classic dist | Pro Co RAT | distortion | L-m | 8.01% | 13.83% |
| colordrive | Colorsound® Overdriver | distortion | L-m | 8.01% | 13.83% |
| facial fuzz | Arbiter® FuzzFace® | distortion | L-m | 8.01% | 13.83% |
| fuzz pi | Electro-Harmonix® Big Mu π® | distortion | L-m | 8.01% | 13.83% |
| heavy dist | Boss® Metal Zone | distortion | L-m | 8.01% | 13.83% |
| jumbo fuzz | Vox® Tone Bender | distortion | L-m | 8.01% | 13.83% |
| L6 distortion | Line 6 Original | distortion | L-m | 8.01% | 13.83% |
| L6 drive | Colorsound® Overdriver w/ L6 Mod | distortion | L-m | 8.01% | 13.83% |
| overdrive | DOD® OD-250 | distortion | L-m | 8.01% | 13.83% |
| tube drive | Chandler Tube Driver | distortion | L-m | 8.01% | 13.83% |
| sub oct fuzz | PAiA Roctave Divider | distortion | L-m | 8.68% | 15.00% |
| jet fuzz | Roland® Jet Phaser | distortion | L-m | 9.36% | 16.17% |
| triangle fuzz | Electro-Harmonix® Big Mu π® | distortion | hx | 10.00% | 18.85% |
| screamer | Ibanez® TS808 Tube Screamer® | distortion | L-m | 10.13% | 17.50% |
| obsidian 7000 | Darkglass Electronics® Microtubes B7K Ultra | distortion | hx | 10.55% | 19.82% |
| octave fuzz | Tycobrahe® Octavia | distortion | L-m | 10.68% | 18.45% |
| kwb | Ben Adrian Kowloon Walled Bunny Distortion | distortion | hx | 10.78% | 20.10% |
| minotaur | Klon® Centaur | distortion | hx | 11.40% | 21.68% |
| thrifter fuzz | Line 6 Original | distortion | hx | 11.98% | 22.79% |
| valve driver | Chandler Tube Driver | distortion | hx | 12.71% | 24.44% |
| industrial fuzz | Z.Vex Fuzz Factory | distortion | hx | 12.79% | 23.32% |
| wringer fuzz | Garbage's modded BOSS® FZ-2 | distortion | hx | 15.80% | 24.61% |
| clawthorne drive | Wounded Paw Battering Ram bass overdrive | distortion | hx | 17.90% | 34.50% |
| hard gate | Line 6 Original | dynamics | hx | 1.56% | 2.79% |
| deluxe comp | Line 6 Original | dynamics | hx | 2.33% | 5.86% |
| autoswell | Line 6 Original | dynamics | hx | 2.38% | 2.87% |
| blue comp | Boss® CS-1 Compression Sustainer | dynamics | L-s | 2.62% | 4.52% |
| noise gate | Line 6 Original | dynamics | hx | 3.84% | 2.18% |
| tube comp | Teletronix® LA-2A® | dynamics | L-m | 4.38% | 7.57% |
| vetta comp | Line 6 Original | dynamics | L-m | 4.38% | 7.57% |
| vetta juice | Line 6 Original | dynamics | L-m | 4.38% | 7.57% |
| red comp | MXR® Dyna Comp | dynamics | L-m | 4.46% | 7.71% |
| blue comp treb | Boss® CS-1 Compression Sustainer w/ Treble ON | dynamics | L-m | 4.52% | 7.81% |
| 3-band comp | Line 6 Original | dynamics | hx | 5.30% | 10.67% |
| kinky comp | Xotic® SP Compressor | dynamics | hx | 7.14% | 13.50% |
| la studio comp | Teletronix® LA-2A® | dynamics | hx | 7.72% | 14.50% |
| boost comp | MXR® Micro Amp | dynamics | L-m | 8.01% | 13.83% |
| red squeeze | MXR® Dyna Comp | dynamics | hx | 11.98% | 16.33% |
| simple eq | Line 6 Original | eq | hx | 1.69% | 2.15% |
| 10 band graphic | MXR® 10-Band Graphic EQ | eq | hx | 2.40% | 3.46% |
| cali q graphic | MESA/Boogie® Mark IV Graphic EQ | eq | hx | 2.81% | 3.93% |
| low and hi cut | Line 6 Original | eq | hx | 2.87% | 3.57% |
| parametric | Line 6 Original | eq | hx | 3.23% | 3.33% |
| mutant filter | Musitronics® Mu-Tron® III | filter | hx | 2.36% | 3.47% |
| mystery filter | Korg® A3 | filter | hx | 2.41% | 3.44% |
| q filter | parked wah | filter | L-s | 3.10% | 5.35% |
| seeker | Z-Vex Seek Wah | filter | L-s | 3.40% | 5.87% |
| obi wah | Oberheim® Voltage Controlled Sample and Hold | filter | L-s | 3.48% | 6.01% |
| tron down | Musitronics® Mu-Tron® III | filter | L-s | 3.55% | 6.13% |
| tron up | Musitronics® Mu-Tron® III | filter | L-s | 3.55% | 6.13% |
| slow filter | Line 6 Original | filter | L-s | 3.67% | 6.33% |
| throbber | Electrix® Filter Factory | filter | L-s | 3.67% | 6.33% |
| autofilter | Line 6 Original | filter | hx | 3.72% | 5.63% |
| spin cycle | Craig Anderton’s Wah/Anti-Wah | filter | L-s | 3.86% | 6.67% |
| v tron | Musitronics® Mu-Tron® III w/ Voice Box | filter | L-m | 4.00% | 6.91% |
| voice box | Line 6 Original | filter | L-m | 4.00% | 6.91% |
| comet trails | Line 6 Original | filter | L-s | 5.40% | 9.33% |
| pattern tremolo | Lightfoot Labs© Goatkeeper | modulation | L-s | 1.54% | 2.67% |
| bleat chop trem | Lightfoot Labs© Goatkeeper | modulation | hx | 1.57% | 2.08% |
| tremolo (tremolo/autopan) | BOSS® PN-2 | modulation | hx | 1.91% | 2.58% |
| analog chorus | BOSS® CE-1 | modulation | L-s | 2.07% | 3.57% |
| script phaser | MXR® Phase 90 | modulation | L-s | 2.12% | 3.66% |
| optical trem | Fender® optical tremolo circuit | modulation | hx | 2.25% | 2.95% |
| opto tremolo | Fender® Deluxe Reverb® Tremolo | modulation | L-s | 2.32% | 4.01% |
| dual phaser | Mu-Tron® Bi- Phase | modulation | L-s | 2.34% | 4.04% |
| panned phaser | Ibanez® Flying Pan | modulation | L-s | 2.46% | 4.25% |
| panner | Line 6 Original | modulation | L-s | 2.69% | 4.65% |
| 60s bias trem | Vox® AC-15 Tremolo | modulation | hx | 3.03% | 4.66% |
| script mod phase | MXR® Phase 90 | modulation | hx | 3.07% | 4.66% |
| analog flanger | MXR® 117 Flanger w/ L6 Mod | modulation | L-s | 3.10% | 5.35% |
| ring modulator | Line 6 Original | modulation | L-s | 3.10% | 5.35% |
| dimension | Roland® Dimension D | modulation | L-s | 3.10% | 5.35% |
| pitch vibrato | BOSS® VB-2 Vibrato | modulation | L-m | 3.24% | 5.59% |
| harmonic tremolo | Line 6 Original | modulation | hx | 3.31% | 4.62% |
| am ring mod | Line 6 Original | modulation | hx | 3.37% | 4.62% |
| jet flanger | A/DA Flanger w/ L6 Mod | modulation | L-s | 3.48% | 6.01% |
| bias tremolo | Vox® AC- 15 Tremolo | modulation | L-s | 3.86% | 6.67% |
| tri-chorus | DyTronics CS-5 Tri-Stereo Chorus | modulation | L-s | 3.86% | 6.67% |
| ubiquitous vibe | Shin-ei Uni-Vibe® | modulation | hx | 3.88% | 6.20% |
| deluxe phaser | Line 6 Original | modulation | hx | 4.01% | 6.95% |
| u-vibe | Shin-ei Uni-Vibe® | modulation | L-m | 4.01% | 6.92% |
| phaser | MXR® Phase 90 w/ L6 Mod | modulation | L-s | 4.02% | 6.94% |
| pitch ring mod | Line 6 Original | modulation | hx | 4.41% | 7.62% |
| chorus | Line 6 Original | modulation | hx | 4.45% | 7.31% |
| dynamix flanger | Line 6 Original | modulation | hx | 5.17% | 7.07% |
| barberpole | Line 6 Original | modulation | L-s | 5.42% | 9.36% |
| frequency shift | Line 6 Original | modulation | L-s | 5.42% | 9.36% |
| trinity chorus | DyTronics CS-5 Tri-Stereo Chorus | modulation | hx | 5.87% | 10.13% |
| ac flanger | MXR® 117 Flanger | modulation | L-s | 6.18% | 10.68% |
| 145 rotary | Leslie® 145 | modulation | hx | 6.68% | 11.54% |
| 70s chorus | BOSS® CE-1 | modulation | hx | 6.96% | 12.84% |
| bubble vibrato | BOSS® VB-2 Vibrato | modulation | hx | 7.04% | 11.81% |
| plastichorus | Arion SCH-Z w/ L6 Mod | modulation | hx | 7.38% | 13.70% |
| 122 rotary | Leslie® 122 | modulation | hx | 7.74% | 13.38% |
| vibe rotary | Fender® Vibratone | modulation | hx | 7.78% | 13.43% |
| rotary drum | Fender® Vibratone | modulation | L-s | 8.69% | 15.00% |
| rotary drum/horn | Leslie® 145 | modulation | L-s | 8.69% | 15.00% |
| harmonic flanger | A/DA Flanger | modulation | hx | 9.23% | 16.73% |
| courtesan flange | Electro-Harmonix® Deluxe EM | modulation | hx | 9.36% | 17.01% |
| gray flanger | MXR® 117 Flanger | modulation | hx | 9.95% | 18.35% |
| 80a flanger | A/DA Flanger | modulation | L-s | 13.12% | 22.66% |
| double take | Line 6 Original | modulation | hx | 17.07% | 18.92% |
| octi synth | Line 6 Original | pitch/synth | L-m | 3.99% | 6.88% |
| pitch wham | Digitech Whammy® | pitch/synth | hx | 6.12% | 8.80% |
| bass octaver | EBS OctaBass | pitch/synth | L-m | 6.67% | 11.51% |
| synth o matic | Line 6 Original | pitch/synth | L-m | 6.67% | 11.51% |
| simple pitch | Line 6 Original | pitch/synth | hx | 7.10% | 12.50% |
| attack synth | Korg® X911 Guitar Synth | pitch/synth | L-m | 7.34% | 12.68% |
| smart harmony | Eventide® H3000 | pitch/synth | L-m | 7.34% | 12.68% |
| growler | R700 meets Mu-Tron® III | pitch/synth | L-m | 8.01% | 13.83% |
| synth string | Roland® GR700 Guitar Synth | pitch/synth | L-m | 8.01% | 13.83% |
| twin harmony | Eventide® H3000 | pitch/synth | hx | 8.83% | 17.19% |
| dual pitch | Line 6 Original | pitch/synth | hx | 9.48% | 18.73% |
| 3 note generator | Line 6 Original | pitch/synth | hx | 9.69% | 9.69% |
| 4 osc generator | Line 6 Original | pitch/synth | hx | 10.00% | 10.00% |
| 3 osc synth | Line 6 Original | pitch/synth | hx | 10.51% | 18.15% |
| cave | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| chamber | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| ducking | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| echo | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| hall | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| octo | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| plate | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| room | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| tile | Line 6 Original | reverb | L-s | 6.14% | 10.61% |
| particle verb | Line 6 Original | reverb | L-s | 7.99% | 13.80% |
| ganymede | Line 6 Original | reverb | hx | 10.00% | 17.72% |
| spring | Line 6 Original | reverb | L-s | 10.33% | 17.84% |
| 63 spring | Line 6 Original | reverb | L-s | 10.36% | 17.90% |
| glitz | Line 6 Original | reverb | hx | 11.35% | 13.71% |
| plateaux | Line 6 Original | reverb | hx | 13.38% | 16.67% |
| searchlights | Line 6 Original | reverb | hx | 16.67% | 17.35% |
| double tank | Line 6 Original | reverb | hx | 18.35% | 19.10% |
| pan | Line 6 Original | vol/pan | hx | 0.39% | 0.67% |
| gain | Line 6 Original | vol/pan | hx | 0.44% | 0.67% |
| volume | Line 6 Original | vol/pan | hx | 0.44% | 0.59% |
| stereo width | Line 6 Original | vol/pan | hx | 0.79% | 1.36% |
| chrome | Vox® V847 | wah | L | 1.69% | 3.93% |
| chrome custom | Modded Vox® V847 | wah | L | 1.69% | 3.93% |
| colorful | Colorsound® Wah-fuzz | wah | L | 1.69% | 3.93% |
| conductor | Maestro® Boomerang | wah | L | 1.69% | 3.93% |
| fassel | Dunlop® Cry Baby® Super | wah | L | 1.69% | 3.93% |
| teardrop 310 | Dunlop® Crybaby® Fasel model 310 | wah | L | 1.69% | 3.93% |
| throaty | RMC Real McCoy 1 | wah | L | 1.69% | 3.93% |
| uk wah 846 | Vox® V846 | wah | L | 1.69% | 3.93% |
| vetta wah | Line 6 Original | wah | L | 1.69% | 3.93% |
| weeper | Arbiter® Cry Baby | wah | L | 1.69% | 3.93% |
| speaker cab | all speaker sims | speaker/IR | hx | 9.78% | 19.56% |
| IR 1024/2048 | all impulse responses | speaker/IR | hx | 9.56% | 17.59% |
